One of the first themes for the famous crates Ringelstetter uses to tote his work around was inspired by one of his first paintings, the Space Hitchhiker. The Space Hitchhiker was about an alien that bounced around from universe to universe to help the civilizations grow for the better before moving on to the next one.
A secondary inspiration for the crates was introduced to Ringelstetter while he was in Cedar Key, Florida. Many of the structures had been repainted countless times due to the weather, giving the area a “thrashy” and vibrate feel.
The idea for creating the crates was, like most ideas, born from a need. As a traveling artist, Ringelstetter needed to be able to fit a whole gallery’s worth of work in his van without wasting any space. Initially, he had been buying cardboard boxes, but found that to be a waste since they didn’t hold up for very long. He switched to large, plastic totes, but found that they looked tacky and didn’t benefit his booth.
He and another artist from Atomic7 decided to hand-make the crates that Ringelstetter uses now. This is the fourth model and they’re the best ones yet. He’s able to fit two shows worth of work in the van because of them, and they have multiple uses. Aside from easy transport, they can also be stacked to make a table or shelves. The lids are carpeted so Ringelstetter can stretch canvas on them, and he can assemble prints at a show with them.
In a lot of the shows Ringelstetter participates in, artists are graded on how their booths are set up and because of these crates, Ringelstetter has won a handful of awards for his sophisticated but high energy and unique style.
Darienne Keniece